ACROBATICS

                       a monologue by Janet S. Tiger   (c) March 13, 2009
                                       
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Thank you!
                               


(For senior actors -   this monologue is gender neutral - either a man or a woman can perform this - but preferably not a beginner, as this piece requires some advanced abilities)

                             ACROBATICS

                       a monologue by Janet S. Tiger   (c) March 13, 2009

(Older person comes out onstage, wearing a leotard.   The person moves slowly, facing the audience and waving, shielding eyes from the lights.)

Hi, I wanted to do some acrobatics during this audition because I want you all to see that I am in very good condition for my age and could do this role easily.     I know that you are probably concerned about my ability to do this part, and I wanted to put your worries to rest.  (While very slowly getting onto their knees)

When I was a kid, I could do somersaults, so I thought that was a good place to start.  (Puts one hand on the floor, with the other shields the mouth while blowing out air in a whoosh sound, waiting, then 'whooshing'  again.)

Did you see me?  Now I'm so fast that all you hear is the wind!

Next will be some pushups.  (Now the person gets down all the way flat on their stomach)

It's very comfortable in this position....  (we hear rhythmic breathing for a few moments, then they come awake with a start)   That was very refreshing.  Exercise always makes me feel good.  (Gets up very, very slowly)   And now, for my finale..... I am going to do a handstand.

 (Leans over, very slowly,  and touches the floor, puts one foot on the hand.)

There, I stood on my hand. 

I'm in such good shape, I could do this all day.  I'm even considering a marathon.   Watching one, that is.

If you had the rings, I could show how I can swing...but I think that's enough heavy exercise for this audition.  Now  I need a nap.. (Turns to trundle offstage, stops, trundles back)  By the way, just so you'll know, A Streetcar Named Desire is my favorite play.
And thank you for considering me for the part of   (if male - Stanley or if female - Stella)

(The end)

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         TIPS ON CHOOSING A GREAT MONOLOGUE
                            by Janet S. Tiger            



I've seen many actors do thousands of monologues - some of them mine.  I've learned a few things - and I have a great deal of admiration for all actors.  (A special thank you to DJ Sullivan, who gives a fantastic acting class - her home was the location of my first reading!)

1. Know your strengths - if you have a great memory, you can choose a longer piece that might have a greater punch for the judges/audiences.  If you do a wonderful New York accent, try a piece that shows off this ability.  Or, if you know the part you're auditioning for is athletic, find a monologue that has motion as well as dialogue.

2.  Read a lot of different monologues for different ages - if you find you can do a great senior citizen, this can expand the range of monologues you can try.

3.  Try less known writers - the judges and audiences have heard Hamlet/Goodbye Girl/ Neil Simon/David Mamet a million times.  If you find a playwright that hasn't had work done in your community, you have a better chance of keeping the audience interest.

4.  Test out monologues on people who aren't related to you - the mailperson, strangers at a rec/senior center - so that you get visual and verbal feedback on different monologues.


This website has some monologues that might not have been seen or heard in your school.

Most of my work is on computer, so I can e-mail to you as soon as I receive a confirmation from PayPal.

 Also, I offer two free monologues - one male, one female - to give you an idea of what my writing style is like.  If you're interested in a free monologue, please contact me at tigerteam1@gmail.com.

 I guarantee you'll like my work - or I'll give you another monologue free. 

Break a leg!

   Below are one-acts,
   if you want to see my full Monologue page,
   click on the Monologue button at the top of this page.
    




This web site is under construction, but if you need to contact Janet S. Tiger immediately, please e-mail tigerteam1@gmail.com or call 858-274-9678.


These are some of my one-acts, for monologues, please click the Monologue button at the top of the page.

- Note - if your school doesn't use PayPay and you need something immediately, please call 858-274-9678 or e-mail tigerteam1@gmail.com.   (I can send an invoice if necessary once your school status is approved.)

THE AFFIDAVIT
    Running time – 15 minutes            $6.00/script
    Set – pawnshop 1940’s                                        
    2 characters   1 man – 40s
        1 woman – 25-35   

    A desperate woman brings a cherished family heirloom to a pawnbroker to try and get money to rescue her father from Nazi-occupied Austria.  Will she get the money?  And at what cost?  Fast-paced with a surprising end.


This play has won numerous awards including DFAS National 1-Act Playwriting contest –(First Place)and Gassner Memorial One-Act Playwriting Competition (Honorable Mention.)

THE AFFIDAVIT is published in ONE-ACT PLAYS FOR ACTING STUDENTS edited by Norman A. Bert  (Meriwether Publishing, Colorado)

The productions are too numerous to list at this point, but include New York (Off-off Broadway, New Zealand, Canada, Austria…..if you have had a production in another country and want it listed here, please e-mail tigerteam1@mail.com

   

BLIND WOMAN’S BLUFF
Running time – 25 minutes            $8.00/script
    Set – living room, semi-rundown             
    2 characters   1 man – early 20s
        1 woman – late 60s

An old blind woman puts a classified ad in the paper and a young man answers the ad - but is he there to buy or to rip her off?  Quick, funny and a good showcase piece for actors.

Winner  DFAS National One-act Playwriting Contest 3rd Place
Published in PERSPECTIVES THREE
                 (HBJ, Canada -8th grade textbook)

Since its first publication, BLIND WOMAN'S BLUFF has had numerous productions.  If you would like your production included in the upcoming page 'where in the world have I seen this play?', please e-mail the details to tigerteam1@gmail.com

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CURSE OF THE DUCHESS(monologue)
Running time – 15 minutes            $8.00/script
    Set –   minimal - chair, table, lamp
                Lighting and sound effects very important                            
    Character - The duchess - in her late 80s, very British

A duchess recounts how a curse changed her life.  Touching- a tour de force for an older actress.

    Winner - DFAS National 1-Act Playwriting Contest 2nd Place
    Produced - Five Flags Theatre, Dubuque, Iowa
    Televised - Public Access Cable Channel Iowa

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DAY OF ATONEMENT
Running time – 15 minutes            $10.00/script
    Set –  kitchen, living area  middle-class New York late 1970s                             
    2 characters    2  women, both 60s, both with Polish accent

Finalist - Fritz Blitz Contest for One-Act Plays, San Diego, CA

Two women, lifelong friends, face Yom Kippur (the Jewish New Year also known as the Day of Atonement) with different ideas.  Great showpiece for two older actresses. 

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DON’T YOU CRY FOR ME

Running time – 35 minutes            $10.00/script
     Time- 1966  Late summer evening of a very hot day, almost dusk  
     Set – Sitting room in a gracoious house in a rural Atlanta suburb                              
     Characters - 2 men, 2 women     all with Southern accents
     
The death of his father - and an unusual request in the will - leads a young man to deal with major issues in his life, and his family, in a very Southern finale.
 
 Strong language

Award -Fritz Blitz of New Plays
Produced-   The Seventh Annual Fritz Blitz of New Plays, San Diego, CA

This play is part of the TRANSFUSION trilogy.  (The other is OH, SUSANNAH)  There is a discount if all three plays in the trilogy are purchased at the same time.

INTERVIEW

Running time – 45 minutes            $10.00/script
    Set –    Living room as talk show set                   
    Characters -   2 men, 2 women

     Strong language.

Finalist - 2nd Annual Robert R. Lehan Playwriting Awards,
                                           Westfield State College, Westfield, MASS
Welcome to the Hornet's Nest - a radio talk show that can be very interesting - and dangerous.  When Audrey Hornet hosts a political guest that used to be an old lover, anything can happen.  And it does.  Riveting suspense that build to an explosive climax - keeps audiences on the edge of their seats.

OH, SUSANNAH

Running time – 15 minutes            $10.00/script
    Set – Midwest middle-class living room                   
    2 characters   1 man – Russian accent, 70s
        1 woman- American, 70s

This play was completed with funds from a COMBO-NEA Grant.

Produced - Vintage Theatre, San Diego, CA  1993

Susannah returns from her husband's funeral to find a suitor at her doorstep.

–   This play is part of the TRANSFUSION trilogy.  (The other is OH, SUSANNAH)There is a discount if all three plays in the trilogy are purchased at the same time.

SAVE A PLACE FOR ME

Running time – 15 minutes            $10.00/script
    Set –  Bus stop                     
    Characters -  2 men, 2 women

This play was commissioned by the Aaronson Foundation.

  
     

SCRIPTEASE

Running time – 45 minutes            $10.00/script
    Set –        modern living room                      
    Characters -  5 men –30-s-50-s
                             4 women – 20-40's
Lead female needs British accent

A well-known playwright is found dead at the reading of his newest play - which of his 'friends' didn't like his latest literary offering? 

Mystery with a DEATHTRAP twist - fast and funny with some good chances for stylist characterizations and staging.

***Janet S. Tiger's first full production!   Southwestern College Chula Vista, CA
****Special note
This play was produced by Scripteasers, the well-known  San Diego Writers-Actors group that has helped new playwrights for over 50 years!  Janet S. Tiger had her first play read at Scripteasers in ....well, many years ago.  It was very.......long.  But the Scripteasers helped her improve her writing, and most of her plays had first readings at one of their meetings.  SCRIPTEASE  was written as a 'thank you' , and it was produced by Scripteasers in May 1981.  For more information, you can visit the Scripteasers website www scripteasers . org. 

 


SWEEPSTAKES

Running time – 45 minutes            $10.00/script
    Set –  semi-rundown apartment                  
    Characters -  2 men, 50s, 60s
 
Winner - 1986 West Coast Ensemble Festival of One-Acts
Produced - Playbill Theatre, Los Angeles, CA  1986 (extended run)

   Strong language

 

THE WAITING ROOM (also available in full-length)
Running time –    45 minutes        $10.00/script
    Set – living room/dining room European, circa 1938
    Characters   2 men –25-50
      3 women – 25-75

A Jewish family in Vienna, Austria, just before World War II, is faced with crucial decisions about taking the opportunity to leave - or staying behind with an aged and ill relative.  Basic human questions about the value of life and importance of family are confronted.  Poignant drama.

This play has won many awards, including the Gassner Memorial and the DFAS National .  THE WAITING ROOM  has been produced numerous times, from San Diego to New York.  For more details, please e-mail tigerteam1@gmail.com

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PRODUCTION INFO  -
 For more details, click on PRODUCTIONS button at the top of the page

Plays by Janet S. Tiger have been performed throughout the world including United States, Canada, England, Austria and New Zealand.  If your group has performed a play by Janet S. Tiger and would like to have it listed on the PRODUCTIONS page which will include international productions, please e-mail details of the production to tigerteam1@gmail.com.

Unusual facts about some of Janet S. Tiger's productions-
1st Reading - UGANDA  at a Scripteasers meeting in....a long time ago.  (See info about the one-act SCRIPTEASE.)

1st production - SCRIPTEASE (one-act) in 1981 was directed by William Virchis

Janet S. Tiger's plays have won awards five times in the DFAS National One-Act Playwriting Contest -

THE WAITING ROOM -2nd place 1982
THE AFFIDAVIT - 1st place 1983
BLIND WOMAN'S BLUFF - 3rd place 1984
SAVE A PLACE FOR ME - Honorable Mention 1989
CURSE OF THE DUCHESS-  2nd place 1990

The first three prizes were won by Janet Schechter (the 'S' in Janet S. Tiger), the others after she married Stanley Tiger.  Janet traveled to Dubuque, Iowa to watch  the productions in 1982, 1983 and 1984, and made many friends that she still is in touch with today.  For more info on the DFAS Contest, google Dubuque Fine Arts Players One-Act Playwriting Contest